When you’re willing to waste the talents of Ava Gardner, Errol Flynn, and Eddie Albert, you better have something to show for your efforts, and Henry King’s sadly mediocre The Sun Also Rises (USA, 1957) makes up for the film’s non-Hemingway-esque ending with a gem of a shot:
With all of Hollywood’s focus on CGI effects these days, you just don’t find such fine papier-mâché craftsmanship anymore, and I doubt there are many actors who could pull one off (literally, perhaps). The entire fiesta sequence of the film is, indeed, one long paean to the giant papier-mâché head in all its glory.