Doctor Who Project: The Reign of Terror

I get the impression they don’t know where they’re heading for. Come to that, do any of us?

And so the first season of Doctor Who concludes with a six-part story set in far off and fantastical…France?

Revolutionary France, to be precise, during the period of Robespierre’s rule that gives our story its title, “The Reign of Terror” (Story Production Code H). The Doctor has brought Ian and Barbara “home,” as he promised (or rather threatened) to do after dealing with the Sensorites. France seems to be close enough to England for the Doctor, but by the time he realizes he’s off by two hundred years, he’s already been knocked unconscious, dragged out of a burning building by a French ragamuffin, and forced to work on a chain gang. And then he winds up looking like this:

Doctor Who 008 (1964) Hartnell -The Reign Of Terror3 on flickr.com by Père Ubu via a Creative Commons Attribution-NonCommercial license.

Not entirely sure which is the greater indignity…

The Doctor has the sensible notion not to leave the TARDIS at the beginning of the story, but then, persuaded by Ian’s offer of a drink to make their parting amicable, off they go. Once Ian realizes that they’re not in England (or even the twentieth century), it’s his turn to wish to return to the TARDIS:

Ian: You know, I think we ought to get back to the ship while we still can.

Doctor: Nonsense. It was your idea to explore, anyway. Besides, that might be very interesting. Walk will do us good.

Once again, the writers contrive to split up the travellers, with Ian, Susan, and Barbara (who instinctively change into period clothing they find alongside bread, wine, maps, and daggers in a trunk in an abandoned house) captured by revolutionary soldiers and dragged off to await the guillotine; the Doctor, meanwhile, has been knocked senseless by royalist sympathizers hiding the house and remains undetected by the soldiers, who set the house ablaze. Then you get the kid, then the long walk to Paris, then the chain gang (from which the Doctor escapes by smacking the road works overseer over the head with a very large shovel). It’s a six-part story for a reason.

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A Companion to the End: Elisabeth Sladen

Detail of 10/04/2009 17:24 on flickr.com by alun.vega via a Creative Commons Attribution-Non-Commercial-Share Alike license.The BBC has announced that actor Elisabeth Sladen, who played companion Sarah Jane Smith on Doctor Who alongside the Third and Fourth Doctors (and appeared again with the Tenth Doctor), has passed away.

Just as many people claim to have their own Doctor, the one who pops into mind when the Doctor is mentioned, Elisabeth Sladen’s portrayal of journalist Sarah Jane Smith is surely the most iconic of all the companions.

Her riveting performance in the Tenth Doctor episode “School Reunion,” early in David Tennant’s run, solidified my appreciation of the new series. Ever since Fourth Doctor Tom Baker dropped her off in what he thought, wrongly, was her native Croydon, Sarah Jane Smith had been waiting for the Doctor to return. He never did, until a chance meeting decades later brought them together again. The pain and wonder Elisabeth Sladen brought to her portayal of Sarah Jane Smith in “School Reunion” encapsulates the dilemma of all the Doctor’s companions: a few moments of wonder balanced against a lifetime that seems mundane in comparison.

Tor.com has a small appreciation of Elisabeth Sladen, as does Fourth Doctor Tom Baker on his website.

(Image detail courtesy of alun vega via a Creative Commons Attribution-Non-Commercial-Share Alike license.)

TARDIS Database Printout?

Cyberman 1975 01 by Fredde Cooney Ahlstrom on flickr.com via a Creative Commons Attribution license.Given the vast numbers of foes the Doctor has encountered over his almost as vast number of regenerations, one wonders if he’s kept track of them.

Early episodes of Doctor Who emphasized the TARDIS’ powerful computing power, with rows of mainframe-like cabinets and whirring data tapes, and it’s not hard to imagine Hartnell’s Doctor inputting data in the brief lulls between random jumps through time and space.

The Guardian’s Datablog has taken on the task of enumerating all of the Doctor’s many foes, enlisting the hive mind’s assistance by creating a Google Docs spreadsheet, complete with motivations, number of appearances, episode titles, and which Doctor(s) they opposed:

Here’s a list of all the Doctor Who villains there have ever been since the very first episode in 1963. Whether it’s to help you put your bet on what will make a reappearance next series or just to satisfy hard-core Whovians, hopefully this will help you out.

The chart however doesn’t include villains exclusively in Doctor Who books, audio books and spin-off shows.

Definitely worth checking out the entire data set. The Daleks are, of course, tops in appearances, which is sure to annoy their rivals, the Cybermen…

(Image courtesy of Fredde Cooney Ahlstrom via a Creative Commons Attribution license.)

Happy 46th, Doctor Who

Wired points out that today, November 23rd, marks the 46th anniversary of the first airing of Doctor Who, with BBC viewers tuning in at 5:15 P.M. to catch “The Unearthly Child,” the first episode of the first story, “100,000 BC,” in which two schoolteachers unwittingly stumble upon a Time Lord and are kidnapped for their curiosity.

Logo from 1963 to 1967

According to Howe, Stammers, and Walker’s Doctor Who: The Handbook: The First Doctor, only 4.4 million people can claim to have been with the Doctor from the beginning, the first episode coming in at 114th out of 200 shows that week. A repeat airing of the pilot, shown as a lead-in to the second episode the next week, did marginally better, climbing to 85th and 6 million viewers.

The show’s continued existence was, indeed, in doubt after this disappointing debut, the combination of poor ratings and high effects budgets potentially dooming the Doctor to be a footnote in the BBC’s broadcast history, until the Dalek’s appeared and decided to, ahem, Exterminate! all doubts…

So, happy anniversary, Doctor Who! Here’s to many more.

(Image from the BBC Doctor Who site.)

Re-Branding a Time Lord

Funny thing about Doctor Who is that the show’s visual identity has always centered on the current iteration of the Doctor and in the swirly title graphics; the title logo has never really been a focus for fan identity.

Current Dr. Who Logo

The lens-flare-esque logo for the Ninth and Tenth Doctors is a case in point. It’s just sort of there, really, not entirely memorable as it flips and flops in the time vortex as impatient viewers wait to for the show to start.

Prior logos were similarly utilitarian, as a nice BBC image gallery demonstrates.

io9 brings news that the BBC is updating the logo for the Eleventh Doctor, incorporating that most iconic of Doctor Who images, the TARDIS:

New Doctor Who Logo

While I’m admittedly circumspect about Matt Smith’s casting as the Eleventh Doctor, fearing that the new show runners are playing to a younger demographic than, well, the demographic that I inhabit, I like this new logo. Bit of a visual pun, and it’s surprising that the TARDIS hasn’t been used in the logo before.

But that lens flare is killing me!

(Images from the BBC Doctor Who site.)

Doctor Who Project: The Sensorites

I don’t know why we ever bother to leave the ship.

Why, indeed, is it that the Doctor and his companions leave the safe (usually) confines of the TARDIS every time they jaunt, unguided, through time and space, other than the fact that there wouldn’t be much of a show without this reckless behavior? Barbara asks this very question at the beginning of Peter R. Newman’s “The Sensorites” (Story Production Code G), spurring the companions to reel off all of their extra-TARDIAL adventures to date: pre-historic earth, the Daleks, Marco Polo, Marinus, and the Aztecs. And the Doctor replies, “It all started out as a mild curiosity in the junkyard and now it’s turned out to be quite a great spirit of adventure.”

“The Sensorites,” alas, is one adventure our fearless travellers would have been better off just staying in the TARDIS for. They certainly try, for as soon as they leave the TARDIS and see that they’ve materialized inside a spaceship crewed by two seemingly-dead humans, the Doctor himself is keen to get right out of there. The first ten minutes of the story seem like an apology for the plot to come, with each character in turn suggesting that they get right back in the TARDIS and leave, but as soon as you see Susan lock the TARDIS door, you just know they’re getting locked out.

By these guys, no less:

Doctor Who 007 (1964) Hartnell -The Sensorites1 on flickr.com, by Père Ubu, via a Creative Commons Attribution-NonCommercial license.

In fairness, Howe and Walker make a good point about the story’s attempt to portray an alien culture with, well, alienness and in a subtle and sympathetic vein. But the real interest for Doctor Who fans is in the continued development of the companions and the early stirrings of canonicity.

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