Daring amphibious assaults, bitter city sieges, near-run coastal evacuations, major offensives cut short by poor winter planning, massive armies made up of multi-national forces fighting side-by-side, and…George Washington?
Compass Games‘ End of Empire: 1744-1782, a grand-operational level wargame covering the various British conflicts in North America, takes gamers beyond the traditional understanding of these wars. Far from a series of skirmishes and set-piece battles, the fight for North America was as much one of maneuver as manpower, of politics as powder, and William M. Marsh manages to bring it all home in an accessible, engaging, and well-mannered monster game.
Dedicated readers of this site will note that I have previously reviewed End of Empire, but with my recent ability to get larger games on my table, combined with a very solitaire-friendly game mechanic, I thought it a fine choice to revisit for the next review in the Table for One project.
End of Empire: 1744-1782
Compass Games, 2014
Designed by William M. Marsh
End of Empire originally saw life as a magazine game in Command Issue 46 back in 1997. The Compass Games edition some seventeen years later builds on the original’s solid bones, coming boxed with four and a half countersheets (5/8″ counters), two standard-sized maps (running lengthwise, for 68″ x 22″ total dimensions), two black-and-white printed rules booklets, a few glossy charts, and a nondescript d6.
Of note, other than informational markers, each of the three main conflicts depicted—King George’s War, the French and Indian War, and the American Revolutionary War— has a separate counter set, with the ARW getting the lion’s share of the counters. There’s a lot of game here, fifteen scenarios in all, though many just provide a shorter version of the main three conflicts by moving the starting date back a year or so or tweaking some variables.
The counters themselves pack in a lot of information, all efficiently presented in the style one has come to expect from Brien J. Miller. The counter color scheme, though, leaves much to be desired. Crucial gameplay elements hinge on differentiating between British regular (burgundy) and provincial (russet brown) units. American forces suffer the same closeness between Continental Army (“darker” blue) and State (“medium” blue) units, with a similar need during play to tell them apart.
To make matters worse, the German mercenaries have three schemes that are close to each other and the Americans as well (navy blue, medium blue, medium green). Even in good light, these counter colors are not readily discernible at a glance, and some variations in printing lead to moments of second-guessing. I understand the desire to theme the units via color; context clues, plus some printed notes, make most of the units’ affiliations decipherable, but some other mnemonic needed to be employed, just for ease of use.