A Companion to the End: Elisabeth Sladen

Detail of 10/04/2009 17:24 on flickr.com by alun.vega via a Creative Commons Attribution-Non-Commercial-Share Alike license.The BBC has announced that actor Elisabeth Sladen, who played companion Sarah Jane Smith on Doctor Who alongside the Third and Fourth Doctors (and appeared again with the Tenth Doctor), has passed away.

Just as many people claim to have their own Doctor, the one who pops into mind when the Doctor is mentioned, Elisabeth Sladen’s portrayal of journalist Sarah Jane Smith is surely the most iconic of all the companions.

Her riveting performance in the Tenth Doctor episode “School Reunion,” early in David Tennant’s run, solidified my appreciation of the new series. Ever since Fourth Doctor Tom Baker dropped her off in what he thought, wrongly, was her native Croydon, Sarah Jane Smith had been waiting for the Doctor to return. He never did, until a chance meeting decades later brought them together again. The pain and wonder Elisabeth Sladen brought to her portayal of Sarah Jane Smith in “School Reunion” encapsulates the dilemma of all the Doctor’s companions: a few moments of wonder balanced against a lifetime that seems mundane in comparison.

Tor.com has a small appreciation of Elisabeth Sladen, as does Fourth Doctor Tom Baker on his website.

(Image detail courtesy of alun vega via a Creative Commons Attribution-Non-Commercial-Share Alike license.)

Re-Branding a Time Lord

Funny thing about Doctor Who is that the show’s visual identity has always centered on the current iteration of the Doctor and in the swirly title graphics; the title logo has never really been a focus for fan identity.

Current Dr. Who Logo

The lens-flare-esque logo for the Ninth and Tenth Doctors is a case in point. It’s just sort of there, really, not entirely memorable as it flips and flops in the time vortex as impatient viewers wait to for the show to start.

Prior logos were similarly utilitarian, as a nice BBC image gallery demonstrates.

io9 brings news that the BBC is updating the logo for the Eleventh Doctor, incorporating that most iconic of Doctor Who images, the TARDIS:

New Doctor Who Logo

While I’m admittedly circumspect about Matt Smith’s casting as the Eleventh Doctor, fearing that the new show runners are playing to a younger demographic than, well, the demographic that I inhabit, I like this new logo. Bit of a visual pun, and it’s surprising that the TARDIS hasn’t been used in the logo before.

But that lens flare is killing me!

(Images from the BBC Doctor Who site.)

Be Seeing You

Be Seeing You “Who are you?”
“The new Number Two.”
“Who is Number One?”
“You are Number Six.”

Patrick McGoohan passed away yesterday at the age of 80. He will long be remembered as No. 6, the eponymous Prisoner kidnapped and deposited in the Village after retiring from his life as a spy.

From the story concept to the unforgettable visual design, McGoohan’s The Prisoner remains a landmark television show, one of those rare series that extends the medium beyond its boundaries.

If you haven’t yet experienced the brilliance of The Prisoner, AMC provides feeds of all seventeen episodes, to promote their somewhat blasphemous re-make of the series.

He was never a number; he was always a free man.

The New Doctor is . . . Who?

Matt Smith as the 11th Doctor, from http://news.bbc.co.uk/1/hi/entertainment/7808697.stmAfter months of speculation about the next regeneration of Doctor Who, the BBC today announced that Matt Smith will claim the coveted role of the wandering Gallifreyan.

Um, Doctor Who?

The youngest actor to play the lead role in Doctor Who, Smith follows on the heels of David Tennant, who will be stepping out of the role after some specials to air in 2009 and early 2010. Per the BBC article,

Piers Wenger, head of drama at BBC Wales, said that as soon as he had seen Smith’s audition he “knew he was the one”.

“It was abundantly clear that he had that ‘Doctor-ness’ about him,” he said. “You are either the Doctor or you are not.”

I must confess that I was hoping for a female Doctor this time around, if only for the story line possibilities. Every new Doctor must build on the work of his or her predecessors while imbuing the role with something special, something new. I suppose skewing younger will bring a fresh take to the role, but the Doctor is, after all, 900-odd years old.

The very first Doctor, William Hartnell, was in his mid-50s when he stepped through the TARDIS doors. The Doctor is definitely not young at heart—the Doctor is capable of deep, dangerous emotions that betray his age and the scars of time.

I trust that Steven Moffat, the new show runner from 2010 on, will remember that what a younger actor brings to the show is energy, not youth.

(Image from BBC)

Becoming One with Blake’s 7

Over on science fiction mega-blog-site io9.com, there’s a recent article on “How to Get into Rebel Space Opera Blake’s 7” that addresses the emotional and psychological aspects of attuning yourself to this slightly quirky show’s worldview:

Be willing to suspend your disbelief a bit in the first season. Blake and his crew have a run of good luck that’s pretty hard to swallow, including stumbling on the greatest spaceship in known space and later inheriting the most awesome computer ever built. Just run with it, because it sets up some great stories later.

Blake's Seven 7” single back cover, on Flickr.com, by Unloveable, via a Creative Commons Attribution licence

Yet another of Terry Nation‘s creations, Blake’s 7 does take some getting used to, as the heroes, broadly taken, are really anti-heroes determined to overthrow the oppressive Federation at pretty much any cost. It’s widely considered one of the very first of the “arc” science-fiction shows that focus on character development over a pre-planned story line (like Babylon 5), rather than being purely episodic in nature, where one episode’s events have little if anything to do with the next (like the original Star Trek).

The io9 article does not, however, address how to actually get Blake’s 7 in DVD Region 1 countries, as they have not been released with our region coding, other than a wink and nod at the torrent route in the comments. Region 2 has the full series, and both PAL and NTSC video tapes were produced. As far back as 2004, there were plans to produce Region 1 DVDs, but there is very little information available about why the deal or project fell through. Some sites claim to have region free versions of the show on DVD for sale, but you don’t have to be Orac to realize that there’s something strange going on there.

I realize that Blake’s 7 will always be a niche show in the United States, and it’s certainly the rights holders’ prerogative to not find a way to take my money, but it would be a shame to have this unique show stuck in the proverbial film can for American fans.

(Image courtesy of Unloveable via a Creative Commons Attribution License.)

First Impressions: Torchwood

CSI: Cardiff. I’d like to see that. They’d be measuring the velocity of a kebab.

I realize that I’m coming somewhat late to the party, but I’ve just begun watching the Doctor Who spin-off Torchwood, which recently came out on Region 1 DVD.

Torchwood Logo

Featuring Captain Jack Harkness, one of the Doctor’s occasional companions, and his band of alien chasers and tech scavengers, Torchwood is a much grittier and mature show than its parent program. It’s refreshing to watch science fiction with a bit of an edge, particularly in the television/episodic format. I often wonder what a show like Babylon 5 would have been like without the particular strictures of network television.

There’s a fine line between gratuitous and developmental, though. When a show pushes typical boundaries to tell a story more fully, then adding a more adult “sheen” serves a purpose. But adding adult contexts to a show merely to titillate cheapens the storytelling and the show in general. Does Torchwood burnish or tarnish the whole Doctor Who franchise?

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