A Philadelphia Sandwich Tour, Part Three

Sarcone's Deli in Philadelphia, PAWith three sandwich stops already in Philadelphia’s Italian Market, one might think we had sampled the full range of tastes on Ninth Street, but the epic Philadelphia Sandwich Tour had one more stop on this street.

Having just consumed a sublime meatball sandwich, washed down with a birch beer, at George’s Sandwich Shop, we headed north on Ninth for a few blocks until we came to the home of all that lovely, crusty, seeded hoagie bread, Sarcone’s Bakery. We didn’t stop in for fresh rolls, though, because a bit further down the block sits Sarcone’s Deli. A simple fact about all fresh foods is that their essential taste is best closest to the source, true for Tastypies and Guinness alike. Forty feet is pretty close to the source, and these rolls were fresh, befitting the best hoagies (but not necessarily the best sandwiches) on the tour.

Of all our stops, Sarcone’s was the busiest. The phone orders came in steadily, even as the line to place carry out orders grew and grew. A crew of four worked steadily, slicing long loaves of that delectable bread down to hoagie size and layering it with meats, cheeses, and sundry toppings. And if I’m not mistaken, there was a signed Brian Propp Flyers jersey overseeing the proceedings. Classic Philly right there.

We ordered two hoagies, though had my constitution been up to the task, I think I would have ordered the entire menu. Our first hoagie was the acclaimed Junk Yard Special (turkey, proscuitto, sauteed spinach, roasted red peppers, sharp provolone, mozzarella, red wine vinegar, oil, and herbs), a hoagie featured on the Food Network (auto-play video).

The Junk Yard Special from Sarcone's Deli in Philadelphia, PA

Of course, I managed to take the picture of the Junk Yard Special with the non-seeded side of the roll facing the camera (I was hungry, if you can believe it, and eager to dig in), but the essential quality of the hoagie’s construction can be seen. There’s so much going on at once in this hoagie. The herbs and red wine vinegar help to tie everything together, and the variety of textures at play—the soft, oily red pepper, the salty smoothness of the cheeses, the crack of the crust—made for an incredible gustatory experience. This is high food art right here.

And yet, our second Sarcone’s hoagie, The C.C. (roast beef, sauteed spinach, roasted garlic, sharp provolone, Balsamic vinegar, oil), proved a point I’ve come to realize about truly, truly great sandwiches.

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A Philadelphia Sandwich Tour, Part Two

The first day of the Philadelphia Sandwich Tour, scrumptious as it was, served merely as appetizer. Cue the music from Rocky, because day two is the main event, taking place in Philadelphia’s sandwich epicenter, the Italian Market.

Truth be told, the Italian Market is only nominally Italian these days. As we walked along South Ninth Street, we saw tons of Asian and Hispanic markets, including a live poultry shop, and had our gustatory purpose been less narrowly defined, we’d have eagerly stopped in a taqueria or a dim sum restaurant. But this is not a Philadelphia Burrito Tour, so on to the sandwiches!

We took SEPTA’s Broad Street Line to Ellsworth-Federal and walked a few blocks down Federal to one of Philadelphia’s most famous hoagie shops, Chickie’s Italian Deli. Rick Sebak’s Sandwiches That You Will Like, the Citizen Kane of sandwich documentaries, profiled Chickie’s, and I was afraid that it would be crowded from the get-go, but given the cold weather, we were the only customers when we arrived around 11 A.M. on a Saturday morning. I hadn’t counted on the shop being quite so small—really just a narrow aisle upon entry where you place your order, with the rest of the shop given over to the food preparation area. So, we sat outside, in the cold. We sacrifice for our art.

VIP Seating at Chickie's Italian Deli!

The owners and staff were busy making catered sandwich platters, but they gave our order priority when we walked in. Given the number of sandwiches that we would be eating throughout the day, I opted for small size, and person behind the counter gave me a look and pointed to the sample roll for the small size—not a seeded Sarcone’s roll cut from a larger loaf, like the medium and large sizes, but a plain, single-serve roll. I must not have had enough coffee, because I still picked the small size regardless. Don’t order the small at Chickie’s! The roll is so important to a proper hoagie, and I made a rookie mistake.

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No Longer Lost in Time and Space: Two Recovered Doctor Who Episodes

Screenshot from The Underwater Menace via the BBCGood news from a jumble sale. The BBC reports that two presumed lost episodes from Doctor Who have turned up in the care of a retired television engineer who bought them in the 1980s.

As noted in our examination of the only partially extant “Marco Polo,” the BBC routinely wiped the expensive video tapes for re-use, resulting in the presumed loss of quite a few episodes from Doctor Who‘s early years. As Shaun Ley of the BBC observes:

The find makes only a modest dent in the number of missing episodes, with 106 instalments broadcast between 1964 and 1969 still being sought.

The two episodes, “Air Lock” from William Hartnell’s Season Three opener “Galaxy Four” and the untitled part 2 of Patrick Troughton’s “The Underwater Menace,” will apparently be made available via DVD at some point in the future.

I’d certainly prefer sooner rather than later, as I’m slowly closing in on Season Three in the Doctor Who Project. I have the novelization ready to go, but being able to see at least one of the four episodes of “Galaxy Four” would be of some help, as I don’t think the novelizations capture all of the Hartnellizations in the televised script. Until then, I’ll have to make do with the short clips the BBC has made available.

(Image via the BBC)

A Philadelphia Sandwich Tour, Part One

Broad Street Subway or Best Sandwich Subway?

Let’s call it what it was: a pilgrimage.

Along with my intrepid travelling companion, I recently ventured up to Philadelphia for a three day Sandwich Tour. From Fishtown to the Italian Market, we hunted down the whole range of Philadelphia sandwich archetypes: roast pork, cheesesteak, chicken cutlet, and cold cut hoagie, with a few meatball hoagies thrown in for (mostly) good measure.

Seven stops, eleven sandwiches, and one birch beer. Follow along, and apologies in advance if you get hungry.

Our first sandwich stop: By George! Pizza, Pasta, and Cheesesteaks in Reading Terminal Market.

Most of the destinations on the tour were pre-planned; By George! was an impromptu stop, because we were hungry after the drive to Philadelphia. Our hotel was close to the Reading Terminal Market, making it an easy first target. But I didn’t think to have a camera on hand to immortalize the sandwich, a Provolone Cheesesteak with Fried Onions. And that’s fine, because the cheesesteak wasn’t quite worthy of immortalization. I’m not a cheesesteak guru, yet this one was adequate, verging on fine, but no more.

The steak, though plentiful, was chopped nearly to shreds and lacked much in the way of taste. The provolone and onions didn’t add much to the sandwich either. The onions and provolone should almost melt into the steak, but they were practically non-existent in this cheesesteak. Still, By George! gets major points for using a fresh Sarcone’s seeded hoagie roll rather than the typical Amoroso’s-style soft roll in which most cheesesteaks are served. The crisp crust provided good textural contrast for the soft meat inside. That’s a trend I’d like to see more of.

Thus fortified, we moved on to the first planned sandwich tour stop, a sentimental favorite: Tommy’s Pizza on the corner of Girard and Palmer in Fishtown.

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Perfect Start Syndrome II: Or Why I Haven’t Gotten Very Far in Skyrim

My copy of Bethesda Softworks‘ long awaited Elder Scrolls V: Skyrim arrived promptly on launch day, some ten days ago, and I’ve frolicked about this corner of Tamriel more or less every day since.

Skyrim on flicker.com by Joshua Livingston via a Creative Commons Attribution license.

You would imagine, then, that I’ve climbed every peak, slain a slew of dragons, quested until my coffers burst with coin gladly given by the fetch requesters and the life savees. After all that play, I must be a hero of awesome renown, with skills unmatched by any other.

Um, well, no, not really. But I have cleared Embershard Mine twelve times!

As I suffered with Fallout 3 (and to a lesser extent Fallout: New Vegas), I am burdened by Perfect Start Syndrome. Given that Skyrim is a huge sandbox of a game, with the main quest merely a suggestion for what to do with your time in the world (and without any annoying time constraints on putting the Big Bad Evil in its place), once you step out of the obligatory tutorial dungeon, the Sky(rim) is the limit. And sometimes, faced with such seemingly infinite freedom, one freezes. Perfect Start Syndrome claims another victim.

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How We Dream When We Dream in Science Fiction: Chris Foss’ Hardware

When I think of science fiction, in an abstract way, as a concept rather than a genre—indeed, when I think in science fiction—my thoughts hew remarkably closely to the artwork of Chris Foss:

Detail of cover artwork for The Grain Kings, from Chris Foss, Hardware

Chris Foss’ art has graced hundreds of science fiction book covers, and a handsome new collection, Hardware: The Definitive SF Works of Chris Foss, brings these covers and concept sketches together. These are the images that informed my understanding of science fiction as a child. When I have random science fiction thoughts (doesn’t everyone?), they take the form of giant angular craft with bright patterning, a Foss hallmark. So to say that I was delighted to find this collection is perhaps an understatment.

Foss’ art invites and engages the creative process. One cannot help but begin to create an entire world around the images, which, though mostly intended to help sell an existing world (in the science fiction paperbacks they adorned), always seem to go far beyond the “source” material. Frankly, the stories seldom delivered on the promise of the cover artwork—meant not as an insult to the authors but as a compliment to the artist.

In the late 1970’s and early 1980’s, perhaps in recognition of the strength of the cover artwork being produced by Foss and others, publishers released quite a few compilations of science fiction artwork that attempted to weave a coherent story using the art as the source material. The best known series, the Terran Trade Authority, features art from, among others, Chris Foss. I devoured those books as a child, going so far as to attempt drawings of spacecraft and aliens, coming up with worlds and universes of my own.

I suppose all art tells a story. This art invites you to tell your own.

(Image detail from Hardware: The Definitive SF Works of Chris Foss)